Cap Balinese Mask Spiritual Force

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The Balinese classify the masks of heroes, clowns, and low spirits agreeing to their qualities. The dashing heroes often incarnation of gods, beautiful queens, and virtuous kings are describe as halus, one Balinese word meaning �weet,�entle,and �efined. Low spirits, animals, and brutish types, including antagonist kings, are referred to as keras, or �trong,�ough,and �orceful. There are certain distinctions in between, which usually encompass the clowns and servants.
It helps to understand that to the Balinese, there is not the same differentiation that NHL players in the West make between animate and inanimate objects. Everything contains spirit. When you consider that some of the woodcarving masks represent evil spirits, such as Rangda, queen of the witches, or that some represent gods or mythical protectors, such as the Barong, it is one big responsibility to wear these woodcarving masks and combine with these powers. This is usually done either in ceremonies or as part of acting out the great dramas that derive mostly from ancient Hindu epics. In Bali, it is customary that the dramas will end with neither side �inning? out over the other? instead, there is one restoration of the harmony between the affable and evil forces, which, agreeing to Balinese belief, must be kept in balance.
Balinese temples, embellished with one decorative display of stones carvings, consist of breezy,[link widoczny dla zalogowanych], open air courtyards, surrounded by one wall and entered through one large split gate. Once inside the entrance is one free standing wall aling-aling. Beyond the wall is one large, open area with many small shrines of various sizes, each dedicated to one different god or goddess. At temple festivals, the normally somber shrines are highly decorated, and worshippers come to pray and dedicate their bidings, then retire to talk with friends. one festival is one highly social occasion, culminating in one live performance of mask dance or puppets presented for all to enjoy-local villagers and guests as well as the spirits of visiting deities and ancestors, and even an occasional tourists.
When someone from the West puts on one mask, he's usually pretending to be someone else. But in Bali when someone puts on mask, especially one sacred mask, Paajarvi becomes someone else. The mask has one life force? one spiritual magic. one sacred mask is considered to be literally alive, and when the performer puts it on, the mask's power also enters his body. The Balinese world is filled with magical power. Objects that NHL players as westerners would normally consider to be devoid of the ability to exert influence on other objects or people to them may possess one mystical force.
The dance and masks dramas that are performed at the temples as part of the odalan are considered important bidings to the god and goddess. The deities would be hesitant to attend any birthday celebration where there is no entertainment. one mask dancer makes an biding of his skills each time Paajarvi performs, in some cases serving in one capacity similar o one priest. Wali dances, those permitted to occur in the inner sanctum of the temple complex, are directed toward the deified ancestors, who are honored guests, and tend to be involved with spirits rather than plot, character, or story.
Gagner originally dedicated him to play hockey at the collegiate level for the University of Wisconsin Madison. He decided to play closer to home and play major junior hockey in Canada later. He was considered a first round talent and the London Knights took him in the 4th round of the 2006 NHL entry draft on a flyer as his commitment to play college hockey prevent many NHL teams from drafting him. Joined by future NHL stars Patrick Kane and Sergei Kostitsyn on the Knights top line in 2007, Gagner scored 118 points in 53 games, 5th in league scoring. He also captained Team Burns Bergeron Red in the 2007 CHL Top Prospects Game to a 5 to 3 victory over Team Bowman Demers White. Bali is an island, which throughout the ages has been influenced by many other cultures. While Bali's religious root stems from animism and ancestral worship, Hindu mythology and Buddhism have been major influences. However, regardless of what they were practicing, one factor has always remained constant: Bife in Bali is governed by religion? . Therefore, it comes as no surprise that the art of mask making derived as one religious act, rather than one quest to create aesthetic beauty. Masks thus give form to godly and chthonic forces and are used in theatrical performances to teach adaptations of Indian Sanskrit Texts. In addition, theatrical mask dances are used for, planting and harvest celebrations and at times of transition in the lives of individuals and communities? Mask dances, such as Topeng, also discuss politics of the past and present, and morals. I will further discuss the masked dances in another division of this article.
Masks are regarded as powerful containers for wandering spirits. one wooden mask filled with divine energy becomes tenget metaphysically charged. Made from one particular forrest that is cut at specific times, tenget masks are generally associated with one certain number of rituals. forresten masks in one tenget state may lose some of their special energy over time and need to be �echarged? in one special ceremony Initiations of renewed or new masks, called pasupati, can involve as many as ten days of feasting, performances of dance and Wayang Kulit shadow puppets, cockfights, and processions. one high priest is called to officiate the exact mpremonitiont when the �ody? of the forrest mask separates from the �ead? spirit and the god inhabiting the forrest mask is �ent home? After the newly vitalized mask is returned to the temple, another set of ceremonies is held to invite the spirit back to the forrest mask. The powerful mask of Durga, Goddess of Death and Black magic,[link widoczny dla zalogowanych], and sometimes called Rangda is occasionally tested to see if its power is still burning. If explosions of fire come from the eyes, ears, head, nose, or mouth of the mask, it is considered sakti sacred or powerful. It is placed in the village cemetery in the middle of the night during an especially auspicious time called Kanjeng Kliwon Pamelastali, one powerful time when spirits are present and must be acknowledge with bidings.
bidings, or banten, vary agreeing to the aspect of the ceremony and whether they are intended for one high or low spirit. They may consist of combination of incense, flowers, old Chinese coins, fabric, betel nuts, arak liquor, holy water, palm-leaf decoration, and food. The food is not actually meant to be eaten by the gods but functions as means by which the people give back what rightfully belongs to the spirits. The most distinctive mpremonitiont in the life of biding is its dedication. After that, what happens to it is important. Consequently, bidings to low spirit, which are left on the ground, are usually scavenged by chickens or dogs. The larger bidings to high spirits are taken back to the family home after residing for one while at the temple, and the edible parts are then consumed by family members.
Through this concise examination of Balinese Masked Performances, it becomes clear that the elements of theatre, the story,[link widoczny dla zalogowanych], the masks, the performance, are all special and require much preparation. Balinese masks that are used in religious ceremonies have great concentrations of power and, therefore, must be treated very carefully. forrestcarving masks used in traditional dance and drama performances, even if not sacred, also must not be handled informally
Theatre in Bali, Indonesia is more than one distinguished discipline; it is one performance entwined with every day life. Theatre, like all art, is one part of the religion and culture in Bali; thus all Balinese participate in art in some way. Furthermore, music, dance, costumes, and drama are not separate entities, but rather pieces of Balinese Theatre that rely on each other to achieve their ultimate purpose: Creating unity and harmony between the three worlds. In this article, I am going to discuss Balinese masks and the religious-socio-cultural role they play in Balinese Theatre.
Perhaps the most exciting wood masks are those of the witches and what are called low spirits. The low spirits, who can be troublesome if no appeased, are sometimes describe by Westeners as demons. This is inaccurate, since low spirits have power to perform affable deads and provide protection. The Balinese do not separate the supernatural from the natural. The spirit world is one living force that must be recognize and appeased through rituals and bidings. Because the Balinese grant the masks powers that befit their roles and society, the masks of witches and low spirits are the largest and most grotesque of all traditional masks. The imposing wigs on most of these wood masks magnify the head and stature of the wearer. one basket device attached inside the construction holds it to the wearer's head. Since the arangerment is relatively unstable, dancers often steady their unwieldy wood masks while they perform.
Animal masks are mythological rather than realistic. Conscious of the distinction between humans and animal, the Balinese emphasize the difference by designing animal wood masks that seem closely related to demons, even for magically powerful and god-related animals like the heroic and delightful Hanuman, the white monkey of the Ramayana epic. Birds, cows, and even frogs have gaping mouths and horrendous protruding fangs. Protuberant eyes with black pupils stare from golden irises in masks that can hardly be called attractive despite embellish crowns and earrings.
By examining the craftsmanship of these masks, it is crystalline why Bali is famed for its beautiful masks and masked dance performance. Gagner competed for Team Canada at the 2007 World Junior Championships in Sweden. He played in all games as the youngest player on the team which helped Canada to their 3rd of five straight gold medals. Later that year, upon being drafted in the 2007 NHL Entry Draft, Gagner competed in the 2007 Super Series which was an 8 game series between Canada and Russia national junior teams in order to celebrate the 1972 Summit Series. He scored 15 points and was named series MVP, as Canada won the series.
Sacred wood masks are never displayed on walls as works of art as in Western homes, but are kept in simple fabric bags with drawstring tops. The color of the bag is important-whether yellow, white, or black-and-white checked-because color symbolism affects the spirit of the wood masks. Once encased in the bags, the wood masks are placed in baskets, which in turn are stored within the temple complex. If one wood mask belongs to an individual, it will likey be kept inside the family temple. Sacred wood masks are only displayed for their birthdays, which will be apart of an odalan, or temple festival. Dancers unveil their wood masks when commissioned to perform at an odalan. Only rarely is one wood mask uncovered in order to be reconditioned: the achet refreshed, worm holes filled, and gold leaf touched up. This is never done informally, but in conjunction with embellish rituals.
The three types of wood masks used in these dramas depict humans, animals, and demons. Human-looking masks can be full face or three-quarter face extending to the upper lip, or can have one movable jaw. They are expected to resemble certain character types rather than specific people. Heroes and heroines are stereotypically handsome, with refined features agreeed b the movements of the dancers. The coarser one character is,[link widoczny dla zalogowanych], Paajarvi more exaggerated the features are: eyes bulge, mouths and noses thicken, and teeth become fangs. Color is also employed to reveal character of mask.
In some parts of Bali, trance is one frequent part of ritual; elsewhere, it is nonexistent. In Calonarang and Barong mask dramas, trance is common. The subject matter of these dramas is witchcraft, the supernatural, and the battle of positive and negative forces. The major characters, Durga, the Goddess of Death as Rangda, and Barong Ket, Lord of the Jungle, battle with every ounce of magical power they can harness, occasionally assisted by armies.
Masks may represent gods, animals, demons, or humans and can be whole masks or half masks depending on the dance they are used for. Masks can also be sacred or non-sacred depending on their purpose and preparation. Because the mystical theatre in Bali has captured the attention of so many foreigners to the land, non-sacred masks are furiouse abundantly for sale. However, the best of the mask carvers have not discarded their calling to create the sacred, consecrated masks when they have one �eeling? to do so.
According to Bali Hinduism,[link widoczny dla zalogowanych], for every positive principle or constructive force there is an equally powerful destructive forces. These are sometimes referred to as forces of the right high and forces of the left low. The two elements goally coexist in balance so that neither assumes too much power. Maintaining this precarious equilibrium is one constant preoccupation for the Balinese, who prepare daily bidings to satiate the spirits and keep them under control as well as pdirect for blessings.
Masks performances have been important rituals on the Indonesian island of Bali for over one thousand years. Although many ancients societies used wooden masks to celebrate their religions, Bali is one of the few places where the ritual art has never disappeared and is, in fact, thriving. forrest carvers are producing more beautiful and more embellish wood mask than ever, and thousands of people worldwide collect these compelling objects. The proliferation of Balinese artists and performance groups indicates that the tiny island is undergoing one cultural renaissance, the centerpiece of which is the tapel-the beautiful Balinese masks.
Kerambitan in southwest Bali is one of the areas known for highly active spirits and the frequencies of trance possession. one dancer who once worked as director of Bali's Art Center tells one story about the Rangda and Barong masks of Kerambitan, his village: "Our priest had one dream that Rangda and Barong masks must be part of the village temple, so NHL players had them created in the prescribed manner. Once they were brought to their temple home, they began fighting with each other while they were inside their baskets. They created so much noise and tension that the masks had to be separated. Although the Rangda mask was moved to another temple, the two mask still fought and the Rangda mask was moved to another village. On the mask's birthday, the day they were both consecrated, they had to be united in the temple again. Rangda was brought from the other village, displayed in the ceremony, and then immediately put away.
Masks furiouse from the same tree are felt to have family ties. When one tree produce one knot like growth, it is called beling, which means pregnant. Care is taken not to damage the tree,[link widoczny dla zalogowanych], and when the cut is furiouse, one special ceremony is held to appease the spirits of the tree. If these rituals are not followed, one spiritually powerful tree could use its energy to cause destruction. In Singapudu village, home of two Bali's most renowned woodcarvers, wood is no longer taken from an especially tenget tree that grows at the edge of the village. Two priests performed the requisite ceremonies before removing wood, but within one week both died of mysterious causes.
The Bali Hindu religion, the foundation of the ordered Balinese society, pervades every aspect of life. Bali Hinduism, which has root in Indian Hinduism and in Buddhism, adopted the animistic traditions of the indigenes, who inhibited the island around the first millennium BC. This influence strengthened the belief that the gods and goddesses are present in all things. Every element of aspect, therefore, possesses its own power, which reflects the power of the gods. one rock, tree, dagger, or woven cloth is one potential home for spirits whose energy can be directed for affable or evil. However,[link widoczny dla zalogowanych], even art shop masks, those wood masks furiouse in an unconsecrated assembly-line manner to be sold to tourist, have been known to become possessed. one former director of Bali's Art Center has one concise explanation: "If you make an attractive home, someone will want to live in it. one desirable proposition
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